By-Tor

I was always a fan of Miami Vice. Don Johnson used both Ray-Ban Wayfarers (classics) and these Persol Tratti sunglasses. Pretty cool.

Aquagraph is a stunner.

It's a lot like my favorite Breitling... the Fish. Built like a tank. Big, macho diver watch for a big man.

It's weird how TAG is not considered on par... and how Breitling has such a high class, premium image... and they've been using the same bulk ETAs since the day one. It's just marketing.

TAGs are shit? 

Wow. 

I thought Link Chronograph, Aquaracer Chrono and Monaco are among the best looking watch designs ever made. Finishing is equal to my gen Rollie, Omega and Breit. Almost all new TAG models are good looking. Same can't be said about Breitling's new designs... or Omega's endless supply of "special editions".

Quartz TAGs aren't that great. But neither are quartz Breitlings and Omegas. The auto versions basically use the same movements (ETA). 

I'm a TAG fan myself. 

Gen Aquaracer that I purchased from this forum, from a fellow member. Back in 2008 or 2009.

I had forgotten that I once created this wallpaper too.

I had two Invicta Submariner "homages". They were both awful quality. The other one lost its crown in two weeks - and one of the hour markers dropped off on another one.

I don't have many reps anymore but I have a 10-year old Omega SMP chrono rep which is absolutely FLAWLESS after 10 years of regular use. I've owned 100 reps maybe... very few were as low quality as the Invictas I owned. 

Based on my experiences I would rate Invictas on par with $100 reps. But this was back in 2004 or so. Maybe they have improved?

Nice Pepsi. I still love mine. It's a bit newer, K-serial from 2003 but a classic nevertheless.

I saw Rush again on the R40 tour a few weeks ago. They are every bit as good now as they were when I first saw them in the late 70's. Better in some ways actually.

 

If they still have stops in your neck of the woods, all I can say is GO!

Unfortunately they don't come to Europe this time. And probably never will come again.

But I've seen them five times. I'm fortunate. My son will probably envy those experiences like I envy my dad's Led Zeppelin gig in 1969.

Where did you see them tomhorn? Here's a few pictures of their Madison Square Garden gig a few days ago. First pic is like a Mothership Landing... We have assumed control!

This might be the best Eddie live solo. He was completely soberb during the Balance tour and it really shows in his incredible playing. 

Personally I think they'd be better off with Hagar and Michael Anthony at this point. DLR's voice is completely f....d up (he didn't have much voice to begin with) and based on his last showing he has stage charisma of a beached whale.

Rolling Stone article of Squire:

http://www.rollingstone.com/music/news/chris-squire-yes-bassist-and-co-founder-dead-at-67-20150628

Reader comments are actually much more "striking".

• Rolling Stone has no clue. This is the greatest, most innovative, most conceptual and truly gifted bass player in Rock.. Perhaps now you can scrape the hip-hop, pop, r and b, funk and disco SPORGE off of you and do the right thing by nominating a legend and his legendary band into the RRHOF.. You insult us all who understand the magnitude and impact of YES and Mr. Squire..

Speaking of beautiful Yes songs, they should play this at Squire's funeral!

Great watches guys.

Good old Ebel Discovery for me.

Brian May writes:

Very sad to hear of the passing of Chris Squire, bass player of the progressive rock band YES, today. 

Chris was a truly unique bass player. The word ?unique' is used a lot, these days, of course, but in Chris?s case, it?s undisputable. His bass playing style was a million miles away from the low-pitched thud of most bassists of the time. His bass guitar was wired up to make an incisive full-frequency range ?clank? that had the presence of an orchestra when he played on his own. Blended into the intricacies of the arrangements in his band?s music, it formed a massively strong backbone in both rhythm and pitch. As young musicians, we boys in Queen were huge fans of Yes. We had a loose connection with them, since Freddie had worked in Kensington Market alongside Tony Kaye, their original keyboard player. We regularly saw Yes playing around London in their very early days - when they were still playing covers, - among them a very impressive version of ?Something?s Coming? from West Side Story. In these early days they were learning their harmony skills which later emerged strongly in their own compositions ? like 'I?ve Seen All Good People', etc. 

Chris was a founder member of the band along with singer Jon Anderson, and was a major writer and arranger as well as bassist. I saw the band many times all through their very convoluted history, but one early impression stick in my mind. I was on the Entertainments Committee of my college - Imperial College - and we booked them to play in our Great Hall just after they?d returned from a tour in the USA supporting Iron Butterfly. We were around in the hall when Yes were doing their sound check. At each side of the stage were the speakers of their PA ? their amplification system. Now in those days, PA?s were usually made from a valve amplifier putting out about 200 watts in power (compare that with modern systems which pump out hundreds of thousands of watts). The amp would feed small cabinets which held some conventional loudspeakers - the kind that people had in their home radios and record players. The Yes system was shockingly different. It comprised massive square black boxes (known as ?Bins? - for the low frequencies) and large metal fan-shaped devices sitting on top (known as ?Horns?). Our aws dropped. We?d never seen anything like it. We asked them later how this came about and they told us that this was the Iron Butterfly system, designed to put across one of the loudest bands in the world at that time. For Yes, it was not so much about being loud, as being clear. To put across multi-part harmonies on top of a loud rock band required a lot of spare power, or all that would come out would be distortion, since you were trying to make those delicate harmonies compete with the sound coming out of loud guitars and drums actually on stage, in the ?back line?. For us this was vital information. We, as Queen, were planning to do exactly that ? make vocal harmonies sit on top of a band sound that was going to be louder and more ?heavy? in content than Yes?s. So if this new kind of system worked, this was what we wanted. Of course there was one small snag ? we had no money !! 

But was all this sophistication going to solve every problem ? Chris Squire strolled on to the stage and picked up his already plugged-in Rickenbacker bass, and turned it up to do the check. But before he played a note, he frowned and said, in what seemed like a shocked tone (and the implication that this was in no way his problem): ?There?s a buzz !? Immediately three or four guys rushed on from the wings and scurried around looking equally concerned. 

Now to us, at the time, being beginners with no money and no gear, this seemed incredibly grand ! Couldn?t he sort out his own buzz ? What was this world where other people turned on your amp and plugged you in ? But as time went on, we realised this is more a matter of focus. As a performer you try to optimise your efforts as regards performing. You actually can?t do that if you?re worrying about the technical side of things as well. You pay other folks good money to do that ? and if you don?t, you?re actually putting someone out of a job ! The whole touring team thing depends on everyone being a specialist in what they do, and that?s how you achieve excellence. It?s just one of the lessons we, Queen, learned from YES, and, very specially, the amazing and truly unique Chris Squire. I should probably mention that as a player he was a virtuoso; I think just about every bass player I know would confirm that view. 

May he rest in peace and happiness, knowing he played a great part in changing Rock for ever. 

Sincere condolences to his family and friends, and the guys he pioneered wondrous harmony progressive faerie-inspired Rock with.

Yes indeed. Back in 2004 they were both on top form. Amazing musicians.

Geddy Lee of Rush wrote this:

“Although we never met, I’m so sorry to hear about Chris Squire from Yes passing. As a bass player and innovator on the instrument he was a huge inspiration to me. Simply put, he was one of the greatest rock bassists of all time. My most sincere condolences to his family and friends.”

Chris Squire has passed away today. RIP one of the best rock bassists ever.

I witnessed this live at Helsinki Icehall, back in 2004. Front row, 5 meters away from Squire. Amazing.

• Dave Bassquez (a casual Yes fan) wrote at Yes FB page:
  
  "Sick to my stomach. I ordered a signed copy of the "fish out of water" CD and when it was held up due to a postal strike in the UK he personally called me on my cell phone to apologize. That's the man Chris Squire was."

They hit the nail on the head with this classic SMP design.

I have genuine Bond Seamaster and that almost perfect rep chrono. Great combo and both are watches that you never get tired of.

Much nicer than say, PO chrono.

By-Tor that SMP chrono looks amazing. You have had it since 2006, have been wearing every week and it keeps good time. Has to be a rep record of some kind!

I don't know. The "new" A7750 is very reliable movement. I never had one single problem with A7750 watches and I've owned plenty. I have no doubts that my SMP will run another 10 years flawlessly. It doesn't show any signs of aging, keeps great time +/-2 seconds a day, etc. "Oldest surviving" meant that it's among the few reps that I kept for good. Most were traded. I never owned a high beat 7750 rep that failed me - or gave me any problems whatsoever.

Considering that these are "cheap Chinese knockoffs" I'd say they're pretty good. MUCH better quality than crappy Invictas, Alphas and that stuff.

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Thanks guys. Good to be back!

Stunning watch, great review. 

You know... my oldest surviving rep is this Omega SMP that I got from Eddie Lee back in 2006. I wear it every week and it's working like a charm.

http://www.rwgforum.net/topic/113817-tribute-to-my-favorite-replica-watch-seamaster-chronograph/

I think the old style is tough to beat but this new black is just as nice. Maybe the AR makes it even nicer (old gen didn't have AR, either).

Thanks for sharing. I love it.

I love the SA. What a monster!

Skyland is lovely too.

My dream car changes from Porsche 993 Turbo to this every so often.

Jaaaaaaaggg F-Type R. Holy shit this looks amazing... and 550 HP to boot. Now they also have a AWD version.

Yes it COULD be better... you could be playing a Rush cover of that song.

Nice! 

I'm wearing a gen too. Quite nice one as well.

Greetings all friends!

Wearing my Fish today.

I like that Yuki dial. Red SUBMARINER text is decent unlike that old MBW version (which was dreadful).

Very decent forgery. These have come a long way since I last checked in.

I bought a quartz Ebel 1911 Chronograph from Richard Lawton. Back in 2004.

I always wanted a rep of this and this was the only one available back then. Reps weren't even nearly as good as they are now but in many ways those were nicer times.

Cheers Richard.

Thanks guys!

I might see a gen 1675 in my future.