TeeJay

That's cool, afterall, everything's personal preference Many thanks, and when the day comes, I'll be sure to be as equally honest I've been drawing just over 20 years, and people have been saying I should tattoo for a good ten years, it's just until now, I was too worried about making a mistake to actually consider doing it. It wasn't until I lumed the dial of my 1655 that I had the confidence to even consider tattooing. I've been lucky, in that I have a friend online who is a tattoo artist, and they've been giving me a lot of advice and encouragement, as proper apprenticeships are hard enough to find in most places, and in this town, a total impossibility due to none of the studios wanting to take on apprentices. Sadly, the mentality seems to be "who wants to train someone who can then take away your business?" When what people seem to forget, is that it's not just a case of everyone cutting themself a piece of the pie, but that there is a never-ending supply of pie, so there's room for everyone to get into it and still be enough work to go round Luckily for me, I've spent the better part of the last 10 years in various tattoo studios, and picked up most of the information which apprentices learn, it's just a matter of actually putting that knowledge into practice and doing it

Ahhh, yes, I see what you mean, and yes, the reeds were essentially copy/pasted as I just drew up a few basic shapes, then traced and repeated them to get the effect I was looking for If you ignore the reed which the cobra coils round, the other three reeds follow the traditional rules of ikebana When it comes to doing the actual tattoo, there will be more 'weathering' added to the reeds and leaves so they're not all perfect copies of each other Yes, my godson's name is Robin, but I chose to use the actual Japanese word, rather than simply trying to write 'robin' in katakana The other bamboo reeds are reserved for the names of my own children when we have them

Many thanks, Bill, I am hoping to be able to learn and progress to the point where I can make a career tattooing, although I do appreciate that at the moment, I am at the bottom of the totem pole Also, you're quite right about what most women would think about their husband's work, my wife was actually really upset by Dave's comment as she understands that the condition of her sleeve is currently little more than a sketch, which will be refined in the future into a finished piece, and that it was simply a matter of getting all lines down (albeit crudely) rather than having to re-draw or re-stencil in the future And absolutely, we are all family here, which is why I knew I could trust people to be honest, rather than just telling me what they thought I wanted to hear That's what I need to hear to continue to learn and improve I forgot to post this pic before, but it's another tattoo I re-worked, which was not only badly faded, but very badly executed... The S was higher than the top of the original banner line, so I had to re-draw that, and then used the blue ink and shading to hide all the blurring But, even more disturbing than the positioning of the S, the lady told me that when it was done, the tattoo artist not only made her stand for the application of the stencil (totally normal) but made her stand for the procedure as well I just found it hard to imagine any artist thinking that was an acceptable way to tattoo someone, as if they were to come over light-headed, as can happen, well, the possibilities don't really bear thinking about

Not a name I was familiar with, but I really like his work. His Japanese work reminds me of work by Horiyoshi III

Thanks, that's nice to hear, it can be shocking to see the level of work people do walk around with, but I at least accept that I am just learning I do understand that tattoos aren't everyone's cup of tea, when I was younger I swore I'd never get one, and if I drew on myself, I would immediately rub it off again Ironically, I still can't stand to have ink marks on me, and still rub off smudges etc, yet am perfectly happy having permanent tattoos I have been drawing much longer than I have been tattooing Of course they look amateur, I am still learning the ropes How long had the artist who did that star been working for? The one you have compared it to, was probably the fifth or sixth tattoo I had ever done Many thanks I can only get better at it

Thanks for the comments, I'm not above hearing my work is bad, after all, I am still learning From your comment though, I do wonder if you're someone who doesn't really appreciate tattoos at all... I wasn't planning on opening my own studio just yet, still getting in as much practice as I can Pigskin is one parctice medium available, and there are also rubber practice 'skins' available too, but, reading on tattoo forums, people say that folks who train on the practice skins can wind up over-working human skin, because the rubber is much harder to work, so the person develops a 'heavy hand'. Likewise, it is also possible to practice on grapefruits, but as the opposite, the skin on those is too soft... The only true medium for practice, is one's own skin, and the skin of willing victims/volunteers Most (if not all) artists learn by tattooing their own legs There's some fantastic work there, how long have they been in the industry for? Really nice portrait work Nothing to apologize for, the truth was what I wanted. The funny thing, is she is really happy with it (and has had the work complimented by others) but as mentioned above, that was never intended as anything more than a rough outline to be refined in the future And absolutely, I'm not expecting miracles, afterall, it takes time to master any new medium Thanks for the feedback, it's much appreciated, and yes, I'm very much still in the apprentice stage Yes, the lotus was a two color piece, and yes, it does look very 'printed', but it was supposed to be a stylized piece, rather than a photo-realistic one Your comment on the line work really confuses me though, as I would have thought precision and consistency of the lines, is one of the key principles of a well applied tattoo... I know the lines on my wife's sleeve are all over the place in terms of consistency, but, in my defense, she is a nightmare to tattoo: fidgets, complains about the pain etc, so it was a case of getting all the lines of the stencil inked as quickly as possible, even if only sketchily, so they could be refined in the future, rather than doing a perfect piece in one go As you say, these things do take time to get to grips with, and all I can do is keep practicing Thanks to all for the feedback, it is very much appreciated

As you may recal, I've recently started to learn how to tattoo. I've tried posting work to a tattoo forum to get feedback, but despite a load of views, no-one's said anything Now, if my work's bad, I'd rather be told what I'm doing wrong and how to improve than just silence, so please chime in with any feedback, positive or negative Self-applied Cherry blossom (my first time tattooing anything) Second tattoo performed: Lotus (first time using color to outline and shading) Self-applied Hibiscus flowers (wife stretched the skin for me, and yes, she was wearing gloves too...) Nautical star (skin condition is psoriasis) Re-touching of self-applied cherry blossoms (while lying down) Memorial anchor (shading has healed up really nicely) Re-worked old tattoo (on someone else's ass, not mine ) Minimalist Portrait (still healing) Bamboo and Cobra stencil: Marlin stencil: Frog-San: Chest stencils: Japanese Sleeve on wifey (two and a half hours work). Lines are going to be 2nd passed and refined when shading and color is added Done on a friend of a friend:

Excellent first results, keep going, they'll be awesome

Congratulations indeed, I hope everything's going well

Perfect reason to keep wearing it

Really sorry to see someone treated in such a manner, I hope you can get a resolution, and indeed, definitely see if Andy can fix things. This isn't normally my style, but given the situation, I think Nikos wants banning from all forums. To suggest that he could get a new case from his supplier, makes me think he's trying to be a re-seller, not a genuine collector, and to pack items in such an unacceptable way, just shows such a total lack of respect for the buyer, it is, well, not exactly a 'scam', as goods were received, but still in that same mindset... Someone like that brings nothing to our community :thumbdown:

Classy

Looking good I would suggest removing the 'back strap' though, that way, the metal loop doesn't break the line of the stripes, and also brings it closer to the original Tudor NATO

Very nice restoration

I expect he'll still wear the SMP, he doesn't strike me as someone who bothers changing watches. Ever. On my wedding day, I wore this awesome gift from Nikki6 (never been able to take a pic which does it justice, but this one was taken on the day)

Absolutely love it That project is a must

Wow, I didn't know that Rolex had actually been taken to task over their pricing, that is awesome to hear

Welcome, and indeed, the information above is spot on accurate I can understand that you want to treat yourself to a nice watch, I've been in the same situation myself in the past, but held off on the purchase, and since got into replicas. My honest belief is that a replica will provide you with just as much pleasure as 'the real thing', but at a fraction of the cost (and spending X amount on a genuine watch may even leave you with buyers remorse...). Most folks assume that Rolex = Fake, even if you are wearing 'the real thing', so why blow that much money, just to be asked "Is that a fake?"? Following the advice here will get you the watch you want, at a price you'll like

Looking good, my man, I've gotta get one of those for mine With regards the springbars, if you ever plan on replacing the bracelet, do not throw those springbars. Might just be my own experience, but I found replacing the bracelet to be harder than any other watch I've owned, and requires the bars to flex quite a bit to slot home in the lugs. On a side note about the NATO, if you want to get it more accurate to the Tudor-supplied NATO, you'll need to remove the short 'back strap', but of course, that's a personal preference

Thanks They're a useful piece of equipment to have for re-finishing polished surfaces Some are sold as foam blocks, some are sold more like a double-sided nail file, but they all do the same thing (and also tend to have foam backing to prevent excessive pressure) You'll be able to get one in any cosmetics department or dollar store, or failing that, swipe one from your wife's cosmetics bag They are normally numbered on the surfaces, so simply start with Side One, and work round to Side Four. You're probably looking at maybe 5-10 minutes buffing with each surface, but the results are well worth it

:drool:

Nothing wrong whatsoever from where I'm sitting

I read it as Buyer B asking if the seller had another movement for sale, and was willing to pay for it. Instead of Seller saying "No, I have only got the one" or "I can get hold of one for you" they instead sold the only movement they had at the higher price to Buyer B, leaving Buyer A hanging with his cheese in the wind... (never had the chance to use that expression till now, thankyou, John Hughes ) Not fair on Buyer A, but not Buyer B's fault... As with when I tried on the GMTIIc, the AD should never have offered me the option to purchase it, they should have honored their reservation with their original client...

Situations calling for such a watch don't often come up in day to day life

I certainly wouldn't feel good about it, that's for sure... That said, that is how some people do business... A while back when I tried on the gen GMTIIc, the AD had said that it was reserved for someone, but I could still examine it. While I was trying it on, they said that if I wanted it and had the cash, I could buy it that day... (so much for the guy it was reserved for ) Obviously I didn't (and wouldn't) but it does go to show that some businesses are just out to get the money, with no thought of personal ethics...